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Software
Books
Supplies
DVD,
Video/Audio Tapes
Workshops
& Seminars
Script
Services
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VIDEO
AUDIO TAPES & DVDs
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| Whether
you are working on your first
screenplay or are a seasoned
professional looking for technical
help from the master himself, Syd
Field's Screenwriting Workshop will be
an invaluable writing tool that you
will rely upon again and again. |
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| In
this special 3-DVD set, designed for
storytellers and filmmakers, these two
renowned writers and teachers provide
their unique insiders' understanding
of how story structure, character arc,
and theme must combine with myth,
archetype, and transformation to touch
the widest possible audience. |
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| Action
is what film was invented for! Action
is the epic hero, the one who changes
a nation, who wins the day. But
don’t underestimate this genre or
you'll end up with the predictable
action story devoid of plot. This
course will show you how to write an
action film that’s never been seen
before. |
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| To
be a great writer, you have to take on
big themes. You have to create complex
characters and track twisted moral
arcs. Most of all, you have to be
willing to leave the comfortable pre-fab
story forms behind and create a story
structure that is unique. This will
challenge you and will give you the
tools you will need. |
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| Learn
what it means to live a writer's life.
Witty and wise, Lamott covers all
aspects of writing, showing you how to
keep your eyes open and write about
what you see. Then she tells you how
to survive being a writer -- all with
bracingly honest humor. |
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| This
form is about the search for truth,
the struggle to claw through the
facades that cheapen daily life. But
this form is a nightmare to structure.
You must track the development of
characrer through action AND set up a
smoke screen to fool the detective and
audience. This course translates your
sensibility into a craft. |
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| TV
drama has its own requirements.
Essentially you are writing a feature
film story in 55 pages, and TV drama
has a myriad of sub-forms–including
personal drama, social drama, crime,
fairy tale–that you must know to be
successful. This course will give you
a blueprint for how to write TV drama
scripts that get you work. |
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| The
best-selling author of Writing Down
the Bones and Wild Mind offers a Zen
approach to help the writer in getting
down the essentials. Recorded at
workshop. |
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| Top
professionals use fundamentally
different tools than amateur writers.
Yet most books and courses on
screenwriting teach a simple
one-size-fits-all approach useful only
by beginners. This course will teach
you hundreds of professional
techniques that will allow you to
compete with the best. |
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| Each
of these forms expresses a vision of
the future of the human race. Horror
is about devolving into an animal or
machine. Fantasy is about creating
magic in the everyday. Science fiction
is the future evolution of man. But
these "high concept" genres
require a knowledge of tools to make
your vision real and original. |
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| Even
if you don't quite have an idea
yet, author Viki King can get
your motor running with tips on
how to stop getting ready and
start writing. This three-tape
set "What's the
Story," "The Nine
Minute Movie" and
"Embracing the Impossible
Obstacles" -- will also
help you finish your script when
you think you can't. |
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| Author
of three books on writing humor,
including Comedy Writing
Secrets, explores the theory of
humor, its six ingredients, and
the uses of humor in print,
broadcasting, speeches, ads,
etc. |
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| Now
hear the voice of
author/comedian Joel Saltzman as
he serves as your cheerleader
for getting your thoughts down
on paper. Joel's advice will
help you conquer what he calls
"the killer 'P's," let
go of fears, and to write with
conviction. Abridged by the
author. |
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| "Everybody
is talented, original, and has
something important to
say." So begins Brenda
Ueland's exhilarating book about
art and the human spirit. Along
with her wise and witty literary
advice, Ueland offers a
passionate argument for the
importance of creativity in all
of our lives. |
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| A
love story should take 10
minutes. They meet, feel a
spark, the rest is in the
details. But you have to fill 2
hours and make the audience feel
the love, want it, demand it.
Your characters want it, but
they don’t want it. It’s not
easy. Learn the techniques for
showing the audience what love
could mean in their lives. |
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| In
scriptwriting, it's not just the
writing but also the rewriting
that counts. Making a Good
Script Great focuses on the
rewriting process and offers
specific methods to help you
craft tighter, stronger, and
more workable scripts. |
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| Successful
comedy comes from comic
characters and structures that
make the laughs grow and extend
for two hours. The biggest
problem with this form is that
there are really eight different
sub-structures of comedy. This
course tells you how to write
every one of them. |
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| Writers
once dreamed of writing novels;
now their dream is the
award-winning screenplay. Here's
your step-by-step guide to
writing AND selling to the
movies and TV. These three hours
are the highlights of Michael
Hauge's acclaimed two-day,
intensive screenwriting seminar.
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| Founder
of the acclaimed film and TV
writing program at UCLA, Froug's
advice resounds with experience
and integrity. Includes how to
keep dramatic tension, find the
action and counteraction, keep
dialogue lean and more. |
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500ways aristotles_poetics
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supplies
software audio
script_services
index books
audio2
Syd Field, Screenwriting Workshop, Advanced Screenwriting, Christopher Vogler, Syd Field, John Truby, How to Write a Movie in 21 Days, Viki King, How to Write Humor, Mel Helitzer, If You Can Talk, You Can Write, Joel Saltzman, Making a Good Script Great, Linda Seger, Screenwriting Tricks of the Trade, William Froug,
Syd Field, Screenwriting Workshop, Advanced Screenwriting, Christopher Vogler, Syd Field, John Truby, How to Write a Movie in 21 Days, Viki King, How to Write Humor, Mel Helitzer, If You Can Talk, You Can Write, Joel Saltzman, Making a Good Script Great, Linda Seger, Screenwriting Tricks of the Trade, William Froug,
Syd Field, Screenwriting Workshop, Advanced Screenwriting, Christopher Vogler, Syd Field, John Truby, How to Write a Movie in 21 Days, Viki King, How to Write Humor, Mel Helitzer, If You Can Talk, You Can Write, Joel Saltzman, Making a Good Script Great, Linda Seger, Screenwriting Tricks of the Trade, William Froug,
Syd Field, Screenwriting Workshop, Advanced Screenwriting, Christopher Vogler, Syd Field, John Truby, How to Write a Movie in 21 Days, Viki King, How to Write Humor, Mel Helitzer, If You Can Talk, You Can Write, Joel Saltzman, Making a Good Script Great, Linda Seger, Screenwriting Tricks of the Trade, William Froug,
Syd Field, Screenwriting Workshop, Advanced Screenwriting, Christopher Vogler, Syd Field, John Truby, How to Write a Movie in 21 Days, Viki King, How to Write Humor, Mel Helitzer, If You Can Talk, You Can Write, Joel Saltzman, Making a Good Script Great, Linda Seger, Screenwriting Tricks of the Trade, William Froug,
Syd Field, Screenwriting Workshop, Advanced Screenwriting, Christopher Vogler, Syd Field, John Truby, How to Write a Movie in 21 Days, Viki King, Making a Good Script Great, How to Write Humor, Mel Helitzer, If You Can Talk, You Can Write, Joel Saltzman, Making a Good Script Great, Linda Seger, Screenwriting Tricks of the Trade, William Froug, The Writers Store, screenwriting books, screenwriter, script, screenwriting, succeed, Software, Books, Supplies, DVD, Video Tapes, Audio Tapes, Workshops, Seminars, Script ServicesSyd Field, Screenwriting Workshop, Advanced Screenwriting, Christopher Vogler, Syd Field, John Truby, How to Write a Movie in 21 Days, Viki King, Making a Good Script Great, How to Write Humor, Mel Helitzer, If You Can Talk, You Can Write, Joel Saltzman, Making a Good Script Great, Linda Seger, Screenwriting Tricks of the Trade, William Froug, The Writers Store, screenwriting books, screenwriter, script, screenwriting, succeed, Software, Books, Supplies, DVD, Video Tapes, Audio Tapes, Workshops, Seminars, Script Services
