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SOUND GRADING
10 = Perfect Stereo 9 = FM Radio Broadcast 8 = Excellent Audience 7 = Very Good Audience 6 = Good Audience 5 = Fair Audience 4 = Poor Audience 3 = Un-listenable
LOOP CATEGORY © = Mono Creation Loop ® = Stereo Replay Loop |
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Total Time : 48 + 35 = 83 minutes |
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Notes
Restored version of this show taken from a low generation cassette, which now includes the entire lecture and Q & A session as well as all audience applause.
Portions of this show were briefly replayed the following evening in San Francisco - 1983/03/04 1649 is confirmed, but 1648 is only assumed to be the beginning portion of this loop. It was not recorded.
1740 and 1739 are replays from the previous nights show at the University of California campus in San Diego - 1983/03/02
A tape splice has been repaired using the creation loop of 1649 during the middle of 1905 Over 1649. The opening of 1649 has also been restored using the replay version 1905 Over 1649.
Ω 1863 is the end of a piece which sounds like it is from this recording, yet does not correspond to any existing loop on this tape. It appeared on the end of side one of the cassette about 1 minute after the 1st half of 1905 Over 1649 had ended, which makes no sense. It was therefore placed at a possible location for it’s creation, where a known tape splice existed.
The other remaining snippets cannot be identified at this time. |
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Date : March 3, 1983 |
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Venue : Roxy Theatre |
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Location : Los Angeles, California, USA |
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TRACK LISTING - DISC ONE
1649 © ® (3:41) 1783 © (7:56) ON EXPECTATIONS (1:34) MUSIC SYSTEM LECTURE (21:00) 1863 ©(0:30) Ω 1647 © (0:22) 1862 ® (0:12) 1861 ® (0:08) TECHNICAL EXPLANATION (1:35) 1860 Over 1815 © (3:26) 1905 Over 1649 ® © (4:33) APPLAUSE (0:39) |
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Sound Grade : 8 |
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TRACK LISTING - DISC TWO
ON GILES, GILES & FRIPP (6:48) ON THE INDUSTRY / AIRPLAY (2:37) ON VIDEOS / PERFORMING (3:25) ON FRIDAYS PERFORMANCE (1:18) ON SHERBORNE HOUSE (5:41) ON AUDIENCE SATISFACTION (3:24) ON FORMAL STYLE (0:57) SAN DIEGO REPLAY INTRO (0:12) 1864 Over 1740 ® (3:34) 1908 Over 1739 ® (6:12) APPLAUSE (0:19) |